The FRIEZE Edit.
To celebrate Frieze Week - the week of art in London - we bring you 80 new original artworks by ten of our London-based artists. Previewed by the press at the Royal Academy this morning at our “Meet the Artists” event where we had a morning of live artists activations in the setting of amazing historic significance.
We absolutely love this new series of original artworks by Brighton-based artist and illustrator, Camilla Perkins.
Okay they might be somewhat challenging in terms of subject matter, but we are firm believers that art should not be there to match your cushions, it’s all about starting a conversation.
Style them like Camilla has in her own home - combining textures, artefacts and colours over a mantlepiece.
Hester Finch’s ever-popular pastel nude drawings are a great addition or start to anyone’s art collection. We are very excited to have teamed up with Liberty London to produce fine art, limited edition prints of these artworks - available in store from end of September. In the meantime, these two originals are available through us.
As a collector of Hester Finch myself, I would style these in a black box frame (as seen in my own home, right) with uv glass to prevent the glare getting in the way of the detail and texture, or in a Tulip box frame which is a light wood that wold complement the Orange Nude in particular.
Orlando’s Lamps is the latest Screen Print by Rose Electra Harris. Orlando is Rose’s antique dealing father whose lamps these are. We love the unexpected colour pairings and tiles in the background. This could look amazing in a white box frame or event in a red or pink frame to play with the pop aesthetic.
This work was featured in last week’s Evening Standard Magazine.
Camilla’s oVo series were created in light of the recent birth of her daughter. The paintings explore a personal reflection on how through pregnancy, motherhood and loss we are all connected as Women.
She says: “We willingly give over our bodies in order to sustain a new life. You spend hours, days, months growing and then feeding this tiny human and wondering how many women for how many thousands of years have been doing this? It’s a process that seems so overwhelmingly ancient.
The oVo paintings pay homage to our most sacred and powerful organ, capable of simultaneously causing so much joy and pain.”
In her latest series, Hypnagogia, Venetia Berry seeks to capture the often hallucinogenic state in between being awake and asleep. Her sinuous figures are heavy lidded, but always with one eye open in the last vestiges of being awake. Her colours are hallucinatory in their palette and the bodies seem to be in the process of distorting.
Each artwork is an original coloured pencil drawing on paper and would look great as a series or on their own.
These free-flowing sinuous nudes by Venetia Berry are created using ink and pen. They represent "the everywoman" rather than a specific person or body-type. Each is an original one-off artwork signed by the artist, exclusive to Partnership Editions (A3, £200).
Style them like Willy Rizzo has done in his bedroom (pictured below) in a series, on a floral wall-paper or in dialogue with a photograph that also explores themes of womanhood.
Chica Seal's artworks have an effortless feel to them, as if painted moments after waking from a dream. Her faces hark to strong-browed, statuesque Classical busts, but have a contemporary mood to them - imbued with recognisable expression and given names that suggest some sort of intriguing or witty narrative.
We would love to style her work in a crisp, light filled room (as per the inspiration on the righthand image). we love the way pictures hang on columns in an a-symmetric way that creates the effect of an artist's studio or museum.
Inspired by traditional botanical diagrams and by the pressed flower, Julianna's sea corals are a fabulous mixture of looking deliberate whilst also seeming as though they may have formed organically from ink spilt on the page.
These look great styled as a series (as per the inspiration from Elle Decor above) and can create an amazing feature wall for any room. They can also hold their own by themselves, and look great in a gold frame for something more traditional or a floated in a white box frame for a more contemporary feel.
These oil stick and pastel drawings hark to the colours of the French Riviera and bring to mind Matisse's blue nudes, but always with Jonathan's own spin on composition and eye for unusual colour pairing.
We love the way that they have been styled here against a terracotta wall, and think that they could be at home on any wall colour; the bolder the better.
These A2 nude paintings by Alexa Coe are made by applying a liquid masking tape to the paper, painted in the form of tumbling bodies. Alexa then paints over the page with black acrylic paint, and after carefully peels away the tape to reveal the negative space on the page.
We love the idea of pairing these with a dark Farrow and Ball wall, a rich green or dark grey, making the white of the page pop out.
By Ellie Pithers
Georgia Spray, founder of Partnership Editions, in her east London home filled with work by artists she represents on her curated platform, including Rose Electra Harris, Jonathan Schofield, Hester Finch, Alice Irwin and Alexa Coe. Photos by Thea Løvstad and Alicia Waite.
When Georgia Spray's friends began asking her where they could buy affordable art, the 28-year-old Christie's and White Cube alumnus saw a gap in the market. She launched Partnership Editions in 2017, a curated platform that connects accessibly-priced, original artworks by emerging artists with would-be collectors - which makes her ideally placed to advise on how best to assemble a fledgling art collection. Here, she shares her tips with Vogue on how to become the next Peggy Guggenheim.